Category Archives: Life Outside

The First Time I Understood Racism: A Tale of Two Kellies

None of the characters in this story resemble these women but it does just scream 1980s.

None of the characters in this story resemble these women but it does just scream 1980s.

Back in the day, we called these "boom boxes". Everyone had them, but for some reason we were more annoyed when kids from the base or from Boston blared them. There were no iPods to mix n match your music tastes in the 1980s.

Back in the day, we called these “boom boxes”. Everyone had them, but for some reason we were more annoyed when kids from the base or from Boston blared them. There were no iPods to mix n match your music tastes in the 1980s.

This is called a vinyl record. The most popular record at this time was Michael Jackson's Thriller.

This is called a vinyl record. The most popular record at this time was Michael Jackson’s Thriller.

yellow plastic from and green plastic frog

I ran a stock photo search for “race relations” and this image came up.

Let me first establish the scene and the characters.

It was my junior year in high school, English class. Bedford High School, Bedford, Massachusetts. 1984 or 1985.

My two best friends, Kellie P. and Kim T., were also in the class. This was a rare occasion and the fact that we all loved the teacher and the subject matter was icing on the cake. We were not part of the “in crowd”. Not popular. Not cool. Well, Kellie P. actually was cool in the precise meaning of the word, able to manage her emotions and assume stoicism without seeming stuffy. Kellie P. was the hardest working of the three of us, easily making the honor roll every semester. She was less likely to talk in class, and unlike me completely unlikely to discuss with anyone how smart she was. Yep, now you know something about me and Kellie P. Basically I talked in class if I was confident that I had something really smart-sounding to share with my classmates for their own benefit. Kim was the most talkative of us. On any subject, in any setting, Kim had no fears of engaging in conversation, and she had an admirable talent for it. As I recall, we didn’t sit together in this class. Maybe the teacher arranged us in alphabetical order? I don’t remember.

Oh, yeah, we were all white.

The teacher was Mrs. H. I usually didn’t have opinions about teaching quality except for my English classes because it was the only subject I cared to apply myself in. Mrs. H. was interesting to listen to, fair-minded, and encouraging to all of us to share and speak up. Mrs. H. was A-OK.

She was white too.

Somewhere else in the class was Kellie L. A cheerleader, best friends with another cheerleader in my homeroom, and prone to obnoxious interruptions while other people were talking. Where I was determined to sound smart, Kellie L. was determined to just sound. To be heard above everyone else. As far as I was concerned, the “L” could stand for Loudmouth.

Oh, yeah. Kellie L. was black.

So yeah, Kellie L. was just this typical popular kid in my book, willing to act out to show that cool kids could do that but otherwise a conformer to her crowd. Sometime during that year, I remember sitting in homeroom, probably reflecting on how my mother is right, homeroom is a stupid ritual and they should just take attendance during first period. Kellie L. and that best friend I mentioned, Courtney, come bouncing in, I mean literally bouncing on their toes, straight up and down like pogo sticks, and singing. Something. I don’t remember the song; I just remember thinking, “Hunh. I don’t think I’ve ever seen the cool kids let go like that.” It was something Kim, Kellie P. or I might do just to get a reaction from the other two.

Courtney won’t appear again until the end of the story. And she doesn’t even know that she has a role in my version of the story at this writing. Any way, she was friendly with my older brother and thus she and I were on a friendly basis. When I saw this spontaneous outburst of raucous singing, I silently gave the credit for it to Courtney.

Oh, yeah, Courtney was white.

The other thing to understand about Courtney and Kellie L. is that they were “base kids”: they lived on Hanscom Air Force Base. That will come up again later in the story too.

So place and characters are set: English class, junior year. Me, Kellie P. and Kim. Kellie L. I don’t remember what the discussion was about, pretty sure it was a book or a short story, and my friend Kellie P. raises her hand. And gets called on. And proceeds to share her thoughts. I remember being very excited that she did this, and wanting to radiate out silent support because I knew talking about her thoughts in front of a large group probably wasn’t easy.

And then the Loudmouth ruined it. I don’t remember what Kellie L. interrupted with, but it was loud and not very pertinent to the class discussion. Or maybe it was? Whatever the case, I thought to myself, “Oh, Kellie, just shut up.” Except I didn’t just think it. I actually said it. In a loud stage whisper. Just unconsciously muttering under my breath but I could tell the whole class heard it because everything just stopped for a full beat.

After class, Mrs. H. called me over to her desk and said that eventually, when I was ready, I would have to apologize to Kellie L. I nodded solemnly but in my book I was just given a free pass to never “be ready.” Loudmouth popular kids had been disrupting me for 5 years and never apologized. Why should I?

The incident followed up by verbal sparring between Kellie L. and Kim on several occasions, outside of class, never during it. As our group’s conversation queen, Kim was the only one who could match Kellie L. loudness for loudness.

In the spring, our English class took a day trip to Salem, Massachusetts as part of our reading Nathaniel Hawthorne’s The Scarlet Letter. On the bus trip home, I sneezed. And for some reason Kellie L. found that to be an opportunity to direct an obnoxious comment my way. Lord only knows what she said but Kim immediately shot back a response. I wasn’t really paying attention because I was all inside my own head remembering a bullying incident in junior high in a different school system in Connecticut that also started with a sneeze. Whatever.

When I drew my attention back to the present, the shouting match was continuing and Kim was threatening bodily harm to Kellie L. Who, it should be noted, responded with threats of her own. But for some reason hearing Kim take it this far brought race to my attention. Not Kim and Kellie L.’s race but mine. I couldn’t define it at the time, but I somehow knew that original incident in class had a racial aspect due to the simple fact that race existed, regardless of whether any of the four of us believed race was a motivating factor or not.

I wrote about it in the journal that we had to turn in to Mrs. H. each week. The Monday after I turned in that journal, Mrs. H. called me to her desk while the class was working on something and asked me to go to the library and just wait there. It is a testament to my esteem for Mrs. H. that I simply complied. I didn’t feel that I was being sent there as a punishment, because, I mean, it was the library. Plus Mrs. H. would have told me if I was in trouble.

So I went, and sat, and waited. Kellie L. walked in and I immediately understood. I was ready to apologize. Instead, Kellie talked about all the ways she felt like an outsider. She explained that her father was a four-star general. So she didn’t always fit in on the base because officer’s families live very different lives than the families of enlisted personnel. And a top officer’s family is very different from any other officer. There was, and is, a tremendous pay gap in the military. A General’s kid is wealthier; her father has power over the lives of every parent of lesser rank on the base; military officers are more likely to have college degrees than enlisted men, and they often come from economically privileged backgrounds to begin with so culturally their children have different advantages and different futures in store.

So: Kellie felt like an outsider on the base because of her father’s rank. She felt like an outsider with her civilian friends because if you subtracted the black kids from the base, and the black kids who were ‘bussed’ from neighborhoods in Boston, Bedford was about 95% white. She felt like an outsider with the black kids from Boston because she had lived in suburban and rural areas her whole life.

Also, families of enlisted kids move around more and thus are more hesitant to make friends with civilians because they know they will leave eventually. This is less likely with someone whose father is in the command ranks but Kellie had other reasons for expecting to have to leave Bedford.

Even among other officer’s kids, even the black officer’s kids, Kellie didn’t always fit in because of her roots. She explained that her family is “high society” in the West Virginia area where her family was from. She showed me a picture of herself at a black cotillion. I have not mentioned yet that Kellie L. was beautiful. Tall for a girl of 16, with supermodel looks. It was the first time I had seen someone our age in formal evening wear and I thought the picture was breathtaking.

Kellie said that at the end of the school year, her parents were sending her to her grandparents in West Virginia for her coming out season. She would be presented to black high society at her coming out ball, and would spend her senior year at a finishing school before going on to college.

I knew all about coming out seasons and the balls that went with them because of all the Victorian literature I read. And Gone With the Wind. I was gob-stopped. Kellie was living the life of Scarlet O’Hara while I was Jane Eyre. And, like Scarlet O’Hara, she was determined to defy societal expectations and be heard.

She said that once she moved back to West Virginia, she would cut all ties with Bedford. She wasn’t thrilled about being a southern belle, hated the whole idea, but would do what was expected of her and maintaining ties to her old life would only make that harder.

A year later, and I am back in homeroom reflecting that homeroom is a stupid ritual and since seniors with a B average could leave campus if they didn’t have class, we should be allowed to show up whenever our first class started and just check in at the office. I had pulled my grades up during my junior year just to earn this privilege.

One cheerleader called across the room to Courtney. She wanted to know if Courtney ever heard from Kellie L. Courtney just shook her head silently, sadness in her eyes.

“Wow,” the cheerleader said. “I never thought you guys would ever stop being friends.”

* * *

I can’t stop the story there because then I would be speaking to Courtney’s state of mind and not mine. It’s a writer’s thing.

Sometimes I wonder which Kellie I was really talking to in my head when that stage whisper flew out of my mouth. After all, Kellie P. had found a way to be heard in the way I was always striving for: to sound smart. And she was pulling it off gracefully. But that doesn’t matter. The whole class could see that my words had a chilling effect on Kellie L., not Kellie P., who had already been silenced by L’s outburst.

Twenty-eight years of experience since that time; classes in African American literature and feminism; and some stumbling friendships and acquaintanceships with African Americans have enabled me to articulate how race fist in to this.

I was a lonely and bookish white kid who wanted to be heard but didn’t have the social graces to pull it off. And in one moment long ago, I told a well-liked, socially confident black child to shut up. I was motivated by jealousy because Kellie L. found a way to be heard, and possessed enough social currency to pull it off.

But words and actions are three-dimensional things: how the recipient experiences them matters. As an adult I have had no patience for sexual harassers who say “I didn’t mean it that way.” I detest the non-apology apology: “I am sorry if I offended anyone. It wasn’t my intention.” If you’ve hurt someone you have a responsibility to learn their perspective, to validate it, and above all to let them be heard.

I am grateful to Kim for continuously pushing at that initial incident until the onion layers were peeled away. I am grateful to Mrs. H. for showing some class when it happened and when she read my journal entry. I am now the age she was then, and can appreciate the social graces it takes to manage a classroom of teenagers who all want to act out and who often find a way to do that.

I am grateful to Kellie L. for letting me in long enough to understand her better. Being unpopular gives you some freedom to wear your heart on your sleeve, and so the roots of my own otherness were already known: shyness, awkwardness, and a back brace. During that last senior year, many popular kids came up to my friends and me to tell us we were lucky: we could just be ourselves. They were frustrated by the expectations and peer pressure their friends put on them, and it was funny to us how many of them came from the same circle and said the same thing about each other.

If only some teacher would have just sent them to the library . . .

Holding My Breath

I took over 20 photos the night I wen to view the sand sculptures created on Hampton Beach by master sand sculptors from all over the United states and Canada. This was one of the few that didn't come out blurry. It also happens to be the first place winner. I didn't understand why every picture was accompanied by the warning: "This image is blurry. Do you want to delete it?" Dejectedly, I would choose "yes" for most of them, although I kept a few. Finally the friend who accompanied me on this night time romp told me, "you have to hold your breath." Sure enough, that held the camera still long enough to get this shot. I imagine creating these sculptures is something like that: an image comes to mind, and as the sculptor begins to shape and smooth the sand, they hold their breath so as not to disturb the fine contours of their creation. So to is writing: an image comes to mind, and you focus your concentration on just the word coming out on the screen as you type. Nothing else matters until you get to the end of what's in your mind. Then you breathe again.

I took over 20 photos the night I went to view the sand sculptures created on Hampton Beach on the New Hampshire Seacoast by master ¬†sculptors from all over the United states and Canada. This was one of the few that didn’t come out blurry. It also happens to be the first place winner. I didn’t understand why every picture was accompanied by the warning: “This image is blurry. Do you want to delete it?” Dejectedly, I would choose “yes” for most of them, although I kept a few. Finally my friend Ellen told me, “you have to hold your breath.” Sure enough, that held the camera still long enough to get this shot. I imagine creating these sculptures is something like that: an image comes to mind, and as the sculptor begins to shape and smooth the sand, they hold their breath so as not to disturb the fine contours of their creation. So to is writing: an image comes to mind, and you focus your concentration on just the word coming out on the screen as you type. Nothing else matters until you get to the end of what’s in your mind. Then you breathe again.

This image isn't quite as clear as I'd hoped, but I think it kind of works. The sculpture is a woman growing out of the confines of a modern city-like skyscraper; the blurriness of my photography adds movement. Without it, she might just be a static sand-doll trapped and not breaking free.
This image isn’t quite as clear as I’d hoped, but I think it kind of works. The sculpture is a woman growing out of the confines of a modern city-like skyscraper; the blurriness of my photography adds movement. Without it, she might just be a static sand-doll trapped and not breaking free.

If the man holding the earth and the woman emerging out of the sky scraper got together, do you think this is what their child might be like? A little sand-baby peeping out of a sharply sculpted sand-egg. Or perhaps it's a womb. My friend Ellen thought it was a womb, and maybe she was right.
If the man holding the earth and the woman emerging out of the sky scraper got together, do you think this is what their child might be like? A little sand-baby peeping out of a sharply sculpted sand-egg. Or perhaps it’s a womb. My friend Ellen thought it was a womb, and maybe she was right.

This one is really, really, blurry. But like a rough draft that has some promise if you polish it just right, I decided to keep it any way.
This one is really, really, blurry. But like a rough draft that has some promise if you polish it just right, I decided to keep it any way.

 

 

 

Algebra and Knitting

I took Algebra for the first time in 7th grade. I got a zero on the first test. So my mother sat down with me and watched as I reworked a few of the problems on the test. She stopped me during the first problem and asked, “Where did you put the N?” (Or X, or whatever the letter was. It’s unnatural to mix numbers and letters.)

“I don’t need it until the end, so I took it out.”

It seems I misconstrued a shortcut the teacher taught us. I don’t remember now what the shortcut was but after that I never questioned the unholy alliance between numbers and letters.

It took me three tries to pass Algebra, but eventually I got the concepts and the application. I had to work hard on the details, though, checking my work carefully, working through problems more slowly. The year I finally passed Algebra was the year I had a friend tutor me just to make sure I wasn’t inadvertently inventing any new “shortcuts” as I learned new concepts.

Knitting is a lot like Algebra for me. In fact, it turns out you have to do a fair amount of math if you want your project to turn out right.

I’m not at a point of following a pattern yet. I’m knitting a scarf using a simple two-row repeat: one row of knitting, and a second row of Knit-4, Pearl-4.

I’ve unravelled my work three times now, and my wool/mohair single strand yarn is starting to get ratty. But I persevere. And along the way, I’ve sought the help of other knitters. Couldn’t do it without them.

I learned the basic knit stitch, and later the purl stitch, from my sig-other’s mom Sandy. I supplemented this with some book-learning and an attempt to fly on my own with simple patterns. Sandy re-taught me everything about three times. The very last time was because she noticed I was working the wrong side of each stitch. Knitting backwards. It was striking to both of us, because in spite of this I happen to knit a very even stitch. Or so I’m told.

Then there’s Kristen, my college roommate who lives on the West Coast. We follow each other faithfully on Facebook and talk on the phone about once a month. She’s shared with me her knitting stories, like how she first learned to knit from a friend who was dying of cancer. At the friend’s funeral, most of the people wore a scarf this friend had knitted. True to her outgoing nature, Kristen has emphasized the importance of socializing with other knitters. She says knitters are forgiving of mistakes, and it never hurts to ask for help. She has provided me with a list of knitting websites as well.

My friend Elizabeth in Minnesota is a champion knitter. Literally. She carts a plethora of projects to the state fair every year and wins ribbons. I can email her any time or rely on a well-informed Facebook comment. She pointed me to a knitting social website called Ravelry where I can log every pair of knitting needles I own. If I can find the time.

Then there’s Jennifer, a friend of mine since we were 6 and 8 years old. Today we’re two middle-aged broads trying to pick and choose what traits and habits we inherit from our mothers — including knitting. It was Jen who first gave me the idea of learning to knit. I inherited my mother’s sewing notions, including 25 or so pairs of knitting needles. When Jen read this in one of my previous blog posts, she immediately offered to teach me how to knit. Jen lives 45 minutes away, and is the mother of a teenager and pre-teen. Sandy only lives 20 minutes away and is retired.

So I learned the basics from Sandy and practiced on my own, in private, until I felt confident enough to try knitting in public. I arranged to meet Jen for coffee, and we both brought our yarn projects. Jen finished off one crocheted potholder and started a new one in the space of about an hour and a half.

I proudly pulled out my purple wool/mohair scarf project and showed Jen the stitching. From afar, she said it looked like it was too tight. I held it out across the table so she could examine it further, and she said, “Nope, it’s fine. You don’t need my help.”

I confided my fiasco with the backwards knitting, and admitted that I was worried I was doing the same thing with my purling. I told her what I was doing, and asked if I should be doing it differently. She said it sounded like I was doing fine, then she demonstrated a couple purl stitches for me so I could be sure.

Then I pulled out my “cheat sheet,” an index card on which I write down which row I should start on when I pick up my work. She titled her head and looked at me quizzically. “You haven’t learned how to tell by looking at it yet?” She then explained how one stitch is flat, and the other is bumpy, and I’ve already forgotten what she said.
This post was first published on October 21, 2011.

Nonetheless, since that day I’ve practiced comparing one set of four stitches to the next set of four, so I can understand how knit-purl stitches look compared to a row of knit stitches. And, after perusing a “knitting dictionary” and reading instructions on how to pick up stitches, I’ve added a crochet needle to my project kit and I now patiently pick up stitches I drop. The overall project still has rough spots. For one thing, I’ve noted that the stockinette stitching that comes from knit-purl alternations doesn’t show through evenly. Somewhere along the way, I repeated rows of knitting when I should have done some purling.

The day after meeting Jen for coffee, I sat at the beach, pulled out my knitting, and examined the work I’d done while talking. I found a lot of dropped stitches so I unravelled a few rows. It was then I decided to teach myself how to pick up stitches.

A few days after meeting with Jen, she sent me a package. A beautifully worked potholder with a note: “For you!” It made me glow for days.